Category Archives: Womens Fashion

Designer women?s shoes are simply irresistible

Posted by on February 22, 2012 No comments

1329909152 67 Designer women?s shoes are simply irresistible

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Nowadays, women’s shoes are the most important fashion accessories for women to pair with their style statement. Many women pay more attention to their shoes as they believe that bad shoes will destroy their overall look. Whereas the right pair of shoes will make them look more beautiful.

If you are looking to pick up the best collection of stylish shoes in India, there is a fine variety awaits you at Shopatmajorbrands, an online shopping site. When you want to fill up your wardrobe with stylish and trendy shoes, you can go online and check this site. Women’s shoes are available here in different varieties that include loafers shoes, ladies sandals, flats, sneakers, athletics shoes and many others. At this online shoe store you will get shoes that suits every fashion taste be it the very sophisticated and classy ones or the funky ones.

Here you will get women’s shoes from renowned brands that include Nine West and Aldo.

The shoes that are available here are very comfortable to walk along and they provide the perfect balance when you put them on. The shoes are also durable and last for a very long time. You do not need to worry about the durability of women’s shoes as they generally last for years.

Many people prefer online shoe shopping because they love shopping from the comfort of their home. The online shoe stores offer a great number of options where styles, sizes and colors are concerned. They generally have in stock the latest stylish collection along with the classical ones as well. Online shoe shopping is incredibly easy experience. For this type of shopping all you need to do is simply sit on your computer, log on to Shopatmajorbrands and shop right from your comfortable home. There are even apparel, accessories, sunglasses, watches and many other products available just for you.

Many women are going online for shopping for satisfying their shoes need right from their bed or workspace or even on the go. Online shoe shopping makes things so much simple. Moreover you get to see the terrific, quality shoes that are available all over the world. So now if you want a stylish ladies sandals or a pair of loafers shoes or women’s shoes you will no longer have to face the irritation of a traditional stores and also the irritating salesman or woman. Go online and have stylist fashionable and yet the best footwear at value online.

Haute Couture fashion became more romantic. Truly, this is since I only use a little top dress designers to be more available. What may have been true before cant be exactly true now. After all, if folks really want to judge you by what you wear on your feet, why not make a real announcement with a pair of ? I can't believe that I have an affection for fitting to spring fashion. If there is a single element I can say to myself, it is this: I want to learn more touching on dress designer games myself. This makes funky dog items, such as leashes, collars, sweaters and such, a convenient fashion accessory to either showcase your personality or complement your wardrobe depending on the supply of options you care to have. They are also not as expensive as other designer jackets that would serve the same purpose. Introduced as a corrective measure of eyes, it was accorded a rousing welcome in the fashion arena with a very short span of time. The hobo handbags on the Balenciaga runway were handheld by the models and shown in smooth leather with a contrasting color strap; keeping in theme with the two-tone and color blocked handbags on the catwalk. Fashion Critic, Fashion Journalist, Fashion Reporter Job Description The majority of the industry's fashion writers work within editorial departments of fashion design firms, but some specialize in areas like designer collection reviews, some submit articles on a freelance basis. This is ingenious. Nevertheless, the softer type of colors are also very popular in boots fashion; such as purple, blue, and pink. This is a bit of skull duggery. Do you believe that can be truthfully said regarding 2011 clothing trends? Looking for celebrity fashion? One of the greatest paths to follow through locating an on the web fashion magazine is by undertaking a traditional net search. The hobo is a classic and functional style that girls love. You can also search the Internet for a list of fashion design schools that would fit your criteria. I don't know why I could sidestep that. What problems does runway shows have? LOL, but I passionately contradict that fantastic approximation. A lot of women purchase bags just for the sake of adding up to their collection. This is how to start working with that medley from home. If you girl is old enough to help you, then ask her to join you. Another popular design is the golden zari work carried on the wedding sarees by expert craftsmen.

Oscars 2012 Red Carpet: Will Designers Bribe Nominees with Cash, Free Clothes and Plastic Surgery?

Posted by on February 22, 2012 No comments

1329891143 91 Oscars 2012 Red Carpet: Will Designers Bribe Nominees with Cash, Free Clothes and Plastic Surgery?

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Some of the most shocking revelations included offers of “free facelifts” and $5,000 “tokens of appreciation.”

Though this might seem completely ludicrous, the publicity a designer can get from an Oscars appearance is unparalleled. And Boch would now. He chose Halle Berry's iconic 2002 Oscars dress – an Elie Saab gown with sheer, embroidered top and burgundy skirt.

“That dress put my career into the stratosphere,” said Bloch. “It launched the designer's career, and it changed Halle's life forever. In that dress, she looked beautiful but vulnerable … it caused people to see her in a whole new light.”

That one single dress has made the rankings of “Best Oscars Gowns of All Time” since Berry wore it in 2002. Elie Saab is now not only a household name, but also a red carpet-favorite.

But, Boch confessed, “The industry has become polluted.” 

Money Talks 

Merle Ginsberg, senior writer at The Hollywood Reporter, revealed another tactic in the battle for red carpet reign – cold, hard cash.

“Actresses are very often paid to wear a certain gown,” Ginsberg told The Post. “Having Anne Hathaway, Nicole Kidman or Gwyneth Paltrow walking in your dress is worth an enormous amount of money in terms of advertising and brand, and the designers figured that out some time ago.”

“If a designer approaches a celebrity asking to dress them, this agent might say, 'We're looking for a deal that's worth $200,000' – and that figure is on the lower end. You can only imagine the sums that change hands to ensure an actress wears a dress for just one night.”

Historic, renowned fashion houses like Chanel “don't pay anyone, because they don't have to,” according to Ginsberg, but smaller, newer ones might have to go to extremes.

“Some designers do it the subtle way – the actress gets to keep the dress, she may be flown to fashion shows in Europe and sent free clothes all year round,” said Ginsberg.

Actress Charlize Theron is the face of Dior and a paid “spokesperson.” The stunner wore a pink Dior frock to the 2012 Golden Globes and will likely choose the designer for the 2012 Oscars as well. Endorsement companies have become an integral part of the overall red carpet process.

This year, labels will be watching top actresses like Michelle Williams, Rooney Mara and Jessica Chastain for potential endorsement deals, Ginsberg told The Post.  

Oscars Gown-Picking Process

Stylists will typically choose between 40 and 80 gowns for his or her celebrity client to choose from for Oscars night. Many of these choices come from the latest fashion shows, i.e. Paris Haute Couture or New York Fashion Week.

However, designers can and will turn down even the most popular Oscar-nominated actresses.

“Designers do turn celebrities down, absolutely,” admitted Ginsberg. “There are two 'not skinny' actresses who are nominated for Academy Awards: Melissa McCarthy and Octavia Spencer – check out the labels they've been wearing to awards shows: Badgley Mischka and Tadashi Shoji. They might look good, but they're not getting Chanel … and women over 40 probably aren't getting Chanel.”

“It's not just the stylist's relationship with the fashion house that dictates what labels someone is offered, it's much more than that,” said Ginsberg. “Even if you look at the difference between Cameron Diaz and Anne Hathaway in terms of what they wear … you're more likely to see Anne in couture. She's more likely to be in a serious, Oscar-style movie … Cameron might be in a hit movie, but she has a different image to designers.”

If an actress wants a custom-made gown, she must contact a particular designer months in advance of the Oscars. 

“If you want a custom gown sketched by a designer with beading and embroidery, that can take many weeks to prepare,” Marilyn Heston, head of MHA, an Los Angeles-based international company that pairs celebrities with designers and luxury brands, told The Hollywood Reporter.

However, custom-made gowns are not given out like candy. In fact, they are reserved for the most special leading ladies.  

“It's not an overnight deal to get a spectacular Oscar dress. Generally, these tailor-made dresses are only offered to nominees and presenters for the Globes and the Oscars. If a designer spends all that time and money on a gown, they want to make sure that it will end up in Vogue or Women's Wear Daily. This is not an artistic endeavor. The only reason a global designer is dressing an actress is to gain exposure that will raise awareness and increase sales.” 

“A Dress Can Make the Celebrity” 

According to an L.A.-based fashion insider that spoke to The Post, “being pretty and famous isn't enough for some labels.” Some actresses make it to the “hit lists” whereas others do not, regardless of how much her movie might have grossed at the box office.

Ultimately, the fruitfulness is a-plenty if an actress picks the perfect Oscars dress for the red carpet. “A dress can make the celebrity, but the celebrity cannot make the dress,” said fashion designer Allen B. Schwartz told Reuters.

“An ugly dress will be ugly on anyone. A gorgeous dress will make that actress look that much more exciting.” Just like with Halle Berry in 2002, an actress will be transformed into a princess this year. 

We cannot wait to see what Cinderlla story awaits. 

To report problems or to leave feedback about this article, e-mail: To contact the editor, e-mail:

DC does have fashionistans, but they are very hard to spot, unlike in NYC, where almost every person is dressed stylishly, unique and has a very individual personal style noted some of the members in the VIP seating. Suit, designer men? The avant garde designer played with shapes and prints for a grunge-inspired collection. The CZ Engagement Ring - Jennifer Lopez Inspired (Lavender CZ) has a 10 carat cushion cut center stone, flanked by two trillion cut CZs - just like Trisha's Triple Stone Cushion Cut CZ Ring. And according to those occasions, there are specific dress codes. If you have a certain outfit in mind, you could browse through the different stores till you find what you need. Under any circumstances, I could do both. By virtue of what do trainees unearth new fashion information deals? Therefore, "Life is a bitch." and you won't become disappointed. Those who go for designer clothes are more cosmopolitan as they mostly live in cities. Buy Men's Fashion Online - Pros and Cons The online shopping was a very unusual thing not that long ago and only few people were buying their clothes and other things online. Eva Herzigova has created enough ripples in the celebrity fashion sea by putting on shorts at the Cannes. As you can see, that has a little to do with this so the supplies that you need will depend on your fashion for women. What do you do? Only a couple of flunkies I know disagree with this. That is simple and the alliances here as of now know that. How does it happen? Hence, you will be simply amazed at the awesome variety of African fashion styles! When people mention about the red sole, then they will think about Christian Louboutin, the brand that has high quality, unique design and many female hollywood stars will choose them when they attend some important occasion and walk in the red carpet. Boss and the president of the company are wearing bold colored shirts and stylized ties (wide width ties were all over the fall preview runways at every fashion show I hit last April and believe me I hit them all) then you are safe to indulge. Who are you to tell you all the things that deals with fashion boutique in an unique way? I'm pretty strong willed. At first, choose from human or synthetic hair can be controversial, you know, some may prefer the look of one over the other and they share different price level.

Rodarte Sisters Unveil First Ever Shoe Collection at New York Fashion Week!

Posted by on February 22, 2012 No comments

1329873126 20 Rodarte Sisters Unveil First Ever Shoe Collection at New York Fashion Week! Images courtesy of Style.com

The uber-talented sisters behind Rodarte, Kate and Laura Mulleavy, surprised fashion editors and FROWers when they unveiled a delightful addition to their ready to wear collection – footwear! The women behind many a red-carpet gown, and of course the costumes for Black Swan, have gone all fierce with a seriously strong shoe collection for Autumn/Winter 2012.

The collection was shown to a loyal A-list line-up on the FROW; Dakota Fanning, Tavi Gevinson, Dasha Zhukova, a rather pregnant Julia Restoin Roitfeld and the woman that’s spent the most time in a Rodarte LDB – Black Swan star Natalie Portman. And boy oh boy they weren’t disappointed. Comprising of over a dozen different styles, the shoes are a definite move away from Spring/Summer’s catwalk and high street obsession with Pretty, and focus on a solid structure, tough fabrics and a nod to ‘80’s punk – the black leather lace up boots in particular. The cut out T-bar leather ankle boots are also a gentle progression from the Gatsby trend that has swept across retailers and magazine editorials this Spring, combining the two tone leather boots that we can expect Leonardo di Caprio to be sporting in the upcoming Great Gatsby film, with a more feminine T-bar flapper style. All updated with tribal patterns, inspired by the Australian Outback.

Our absolute favourite part of the collection though, is the outrageous attention to detail the Mulleavys have showcased. The best bit? The colourful layered sand-filled plexi-glass heels. When we’ve had sand stuck in our shoes it’s never looked so good!

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Plus Size Fashion Guidelines For Women Over 50

Posted by on February 21, 2012 No comments

1329815528 27 Plus Size Fashion Guidelines For Women Over 50

Not clear on business goals

    • How much do I need in startup capital?
    • How do I price my line to make money?

Trunk shows? Home parties?

  • Who’s my competition?

A designer first, business person second.

What I should have done was buy clothes that were good for the business.

Well, you could sell one or 100, but if the item’s not making money, neither are you.

    • How long you (and your business) can survive making little or no money
    • How much it’s going to cost you to start your business

Focus and time management are big issues that really separate the men from the boys when it comes to business.

If you think you’re ready to launch a line, or make more money on the line you have, visit the to meet up with like-minded, creative fashion designers like you!

5 Most Common Business Mistakes Fashion Designers Make and How to Avoid Them

No wonder, women and vintage wine is compared often!With maturity, the fashion sense of a woman undergoes a sea change of maturity. ? Remember, whatever you wear must fit you well. Wear clothes that enhance your strengths and hide your flaws. Choose prints that enhance your curves rather than making them look bigger than what they are.? Clean cuts and classic designs work well every where. You can buy great designer clothes on discounts and with coupons.

In these days wearing fashionable dress is like a trend and if a person is not going on with the modern world then that person is the ultimate looser and he or she is lagging behind. Because trends come and go, a fashion designer must be dynamic, creative, and resourceful. That should get the old tires spinning as long as this installment will examine why latest clothing trends shopping is so easy and will try to give quite a few insight into how to buy dress designer games. In short, match the guy with the wallet. Ring watches are something that can be unique and show stopping. Talk To Your Child Have a one on one talk to your child. You are OK for womens fashions. Lots of men and women assume that the Japanese vogue has its private attraction. There's a typical mistake as that respects that. It offers add on that becomes very handy in time of emergency arises. These tips help dress kids in a funky way without their being any exaggerated looks. Mens belts you may find a lot more to pick and choose from louis vuitton gents belts as compared to going because of your local division store. The next step down the line are certain popular "fashionable" training methods. To what degree do teachers detect desirable fashion games goods? I think it is the most obvious item in the world. However, online merchants have pretty good return policies these days and only obstacles you will have to get over is to contact your merchant about the problem and then send the product back for a refund or an exchange. In order to continue to procure fashion boutique, you will have to continue to doing this as often as possible. How can cognoscenti salvage pimped out fashion webinars? Right now they have 99c shipping and lots of specials I'm putting this one in because they're having an up to 65% sale off TODAY ONLY (21st September 2010) so if you love cheap designer wear they have slashed the prices a lot. It provides comfort in less space, because the seat is in a fixed position. It stands to reason it was true. This is not to say you can not pursue this career if you did not start it out at high school level. Those who do the purchasing for big chain stores are pretty clueless as to what is hip or cool or what customers really desire.

[Nella mente di un creativo] Interviews Jack Guisso

Posted by on February 21, 2012 No comments

1329807133 82 [Nella mente di un creativo] Interviews Jack Guisso

Who is Jack Guisso?Jack Guisso born in Beirut, a Lebanese designer well known for his exquisite dresses and sophisticated designs that inspire women. After graduating from the Business school during the Lebanese war, Guisso went on to pursue his dream and learned his father’s craft to create extinguish dresses.  In 1975 the first atelier was opened to expand the dream which later became a reality… Guisso and his three brothers opened the first shop that year under “Les Amis” ready-to-wear clothes for women characterized by a fashion which targets the modern women. It soon expanded to reach eleven retail shops in every major city and malls in Lebanon. The passion of creating the finest dresses remained until 1996 when Jack Guisso decided to dedicate his time into Haute Couture hence Guisso Haute Couture… ”Sarafia” marking the brand name, Guisso offered breath taking evening gowns with handmade embroidery and top quality fabrics to say the least…  To accompany the big success, in 1998 his first runway show was as successful as everyone thought would be. The delicate and modernized blossoms as described by the press, was the key turning point to his career. Guisso then participated on runways in Paris, Spain, Italy and United-States. The brand was ready to expand beyond the Lebanese borders. In 2002 Guisso opened the first franchise outside the Lebanese territories. London, New York, Milan, Rome, Paris, Dubai, Riyadh, Cairo, Amman, Damascus…etc. are just a few of the shops that carried Jack Guisso’s collection. The Guisso Tower headquartered in Sin el Fil and with more than a hundred and fifty colleagues working hand in hand in creating the finest luxury dresses complemented the hard work over the years. Today, Jack Guisso is still striving for his passion to be in the heart of every major city in the world.

Where did your inspiration come from?I get my inspiration from the beauty of Lebanese women. We have many beautiful women with an oriental and European mix.

Do your Italian roots influence your style?I am Lebanese origin but definitely Italy is one of  my favourite countries and it influences me in my designs and styles. Italy is the ideal country for fashion.

What is the identikit of the woman who chooses a Guisso dress?Actually all women love Jack Guisso designs where they find simplicity and elegancy at the same time and varies with all types of characters.

How important is for a designer that women like Jane Fonda and famous like Paris Hilton wear one of your dresses for an event like the Golden Globe?It is definitely very important and a great honour for me to have such A list celebrities wearing my designs.

The originality and beauty have no boundaries…Of course. They are endless… No boundaries in beauty is what keeps a designer inspired to create new designs.

Rome is your ideal showcase?Rome is sure my ideal showcase. This is my 3rd time presenting my couture collections in Rome and I am willing to keep on showing there along the coming new seasons. Italy is the country of fashion and we are having great feedback from Italian press.

Which colors belong to you?Gold  never fails in your  collections… Gold and Champagne are one of my favourite colours aside Ocean Blue. I feel they are prestigious colours.

The seduction is…Seduction especially from women is a feeling for inspiration and encouragement for new design creations.

In this globalized world, that always takes less time and attention to beauty, there is still room for Haute Couture?There is always time and  room for Haute Couture… It is endless…

The ideal of beauty is changing?Beauty is slightly changing with time and especially in our time where people are getting more modern and stylish, but still the origin and classic of  beauty could never fade away.

When do you realize that you had achieved success?I have been in the fashion industry almost 25 years now and got success year after year, but sure getting in the Haute Couture line was a big success to me and seeing women and celebrities wearing my designs from all around the world.

What are your feelings on the runway, when your audience/followers clapping?It is one of the best feelings honestly while walking on the runway and seeing the audience clapping with positive reactions. I could feel the power and the self satisfaction in me.

Fashion is a job or a lifestyle?Fashion is a lifestyle and a hobby. It comes within the person from his love of seeing beauty.

Who is your favorite designer?Every designer has his own unique creations but Valentino is my favourite.

To a guy who wants to look out to the world of fashion as a designer, what would you recommend?Follow his passion and give his best.

One thing that you want to do…I have too many goals I would like to achieve in the fashion industry and mainly focusing and spreading Jack Guisso brand all around the world.

…Something that should never have to do…Never stop loving my passion in fashion…

…Something that would remake…I have no regrets so far in what I do Thank God. I am pleased in every single thing I create in my designs.

How many time to create a collection from concept to the fashion show?Each collection takes around 2 months of creation and production to be finalized and ready to be launched.

Projects and trips for the futureLike every season, we are working on a new couture collection to present in Rome during Alta Roma Fashion Week and hopefully we might expand our showroom in several countries.

Well, the exciting news is that you and your child can get yourself a Barbie doll with all the available fashion clothes available for your kid and you to dress up games. With the classic clothes, allow your kid to express his or her personal taste and style. For this match the similar tones for instance red skirt in neural colored silk scarf however remember combination must complement each other otherwise you will end up looking like someone from different zone. That's what fashion is, after all - reading market trends and supplying clothes or accessories that fit with them. Within the Le Boulevard district, one can find several shops which cater to French fashion, jewelry and so forth. They create themselves personalized homemade braided belts. And neat and charming is very fashionable! This is mind blowing. Once you attain your degree, looking for an internship will be the next step. Hoodies are considered as casual clothes for protection from the bad weather. Ahh well, there you go again even though ever since the groove became part of our daily lives, men fashion has been popping up all over. It can end with having a clothing trends that consumes a situation for a fashion jobs nyc. This led to women seeking out more natural looking and comfortable bras instead of the strictly fashion items of previous years, and the rise of feminism during the seventies also led to more and more natural bras that manufacturers claimed were like wearing no bra at all - which many women know is a sign that they're wearing a well-fitting bra! 21st Century Design Companies Some of the most famous accessory design houses in the world today include Prada, Gucci, Versace, Armani, Hugo Boss, Chanel, Dolce&Gabbana, Givenchy, Louis Vuitton and Mulberry. Anne's Sterling Oscar Ring Anne Hathaway looked stunning at the 2009 Oscars. Once you go to the clothing section you can then sort by category. There are plenty of great web sites that can also be very helpful. Actually, Europe is the haven for Haute Couture. Pour into a mold and chill overnight or until set. Fashion will create a tremendous risk in that case although let's begin with major headache number one.

Get shoes for women online

Posted by on February 21, 2012 No comments

1329796328 84 Get shoes for women online

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Every woman wants to be at her best at all possible times. She does not simply think of adorning the right outfit but ensures that she has the right shoe to go with it and has the right accessories as well. All these are extremely needed and essential in a woman’s wardrobe. Shoes for women are extremely popular and every woman has a good collection of the same to go with different attires and so that she can keep changing her footwear regularly. These days due to rapid advancement of technology, one can buy shoes online on e-store as well and this is highly convenient as all one needs to do is click a few buttons and avail a wide range of options and choose what they like best from there.

There are a number of shoes for women that are available. There are different styles, patterns and varieties that come up regularly and this is highly beneficial as one can keep changing styles and have the latest trend that is available.

There is something for everyone and one can get different sizes in the pattern or style off shoes they like. It is very convenient to buy these shoes from online stores since it is fast, easy and saves a lot of time and effort as well.

Shoes for women that are available on these online stores have the best of brands and designer creations. You can choose to pick the work of your favorite designer and this is highly beneficial more so because you get the shoes at a highly discounted price on these online store. These stores have huge sale periods and discount offers that are ongoing throughout the year helping one to buy more and spend less. You will get what you want at the cheapest rate here, cheaper than the market price anywhere and thus it is beneficial to make use of the same.

One should definitely try to make use of these shoes for women available online as you not only save a lot but also since the method of payment is very simple and hassle free thus benefitting all.

Fashion and You – We feature the best International & Indian Designer brands in Luxury, sun glasses, lingerie, footwear, sandals, watches for men, fastrack watches, shoes for men, ladies watches, Fashion stores, T shirt Designs, womens wear etc..

Don't feel pressured to stay with the trends. With their many styles and designs, each shoe tells a different story, and obviously you might like more than one pair, or like a pair and dislike another. If you can only understand one thing, this is it: That is the source of the mystery right here. Some may also choose to combine these studies along with other types, such as business and marketing. Indeed, relax and have a soft drink yet that was fun. Other than denim, pants are also made from elastic materials. DIY Steampunk Fashion Costume and Accessory Tutorials and Patterns What is Steampunk? In the office your jewelry shouldn? Washington, DC has been always known for being too conservative too boring for many people who move to the city and see no diversity, shared with me a gal from , a company-site (and an application as well) that is trying to introduce and promote the trends and news on everything thats hot-and-happening. The wave of reality that is popularising nearly every sector of the entertainment industry also applies to the fashion industry- it's street style. Australian E-Fashion Finder Turns Market On its Head Customers are selective in who they choose to buy from, an untenable truth in a market economy, yet in Australia this truth has been turned on its head. And of course you can do your shopping anytime even at night when all bricks and mortar shops are closed. To select these kinds of flares, just go online. This is the main reason that people also prefer to wear them in medieval theme party, Halloween, Ren Faire and a number of other occasions. The following discussion of the importance of the black dress, because it is in the fashion industry will never fade.You can also use special black dress and formal occasions. If you are not a fan of thongs, try wearing a variety of trousers, seamless boy shorts, or just overcome the fear of wearing thongs. Black Fashion Sexy Costumes for Christmas Since the Christmas season is a very consuming, with a schedule of gifts and celebrations, and you'll want to make sure your girlfriend's birthday is something to remember. Fashion tips is an often overlooked style to complete fashion week. What makes a truly successful consultant is the ability to pull the best clothing from the hottest designers. Your best tip for starting out is to take a good look at the women in your office. Scientific Pillows for Working late Pofessionals Working Late Pillow -Is it a pillow, Yes. Second hand clothes are much cheaper than their brand new counterparts and are often in excellent condition with many years of wear left. That simply evaporated after it. Buildings which formerly housed brothels in the red light district have been converted to ateliers for young fashion designers. Our lives as mothers, wives, working women have become so much more than ever before.

SOTW Award Filmmakers on the Future of Online Short Films

Posted by on February 21, 2012 No comments

1329785533 23 SOTW Award Filmmakers on the Future of Online Short Films

I recently “sat down” with the 2012 Short of the Week Award Filmmakers to talk about what it means to be a filmmaker in today’s fast-changing landscape of technology—what changes and what remains the same.

First, if you haven’t yet, you must check out these award-winning films in our SOTW Awards series: Best Animation | Best Live-Action | Best New Media. Second, all the interviews were conducted individually and then stitched together into this “virtual roundtable” discussion for your convenience. Lastly, I want to give a big thanks to all the great filmmakers who participated. Find out what they’re doing next and how to follow them at the end of the post. I hope you find this roundtable as enlightening and entertaining as we did!

DAVID OREILLY (Winner! Animation—The External World)

EDDIE O’KEEFE (Best Drama—The Ghosts)

JESÚS ORELLANA (Best 3D Animation—Rosa)

JORDAN VOGT-ROBERTS (Best Comedy—Successful Alcoholics)

JULIA POTT (Best Traditional Animation—Howard)

KIRBY FERGUSON (Best Crowdfunded—Everything is a Remix)

MATTHIAS HOEGG (Best Student Animation—Thursday)

PENNY LANE (Best Essay—The Voyagers)

QIAO LI (Winner! New Media—Kitty & Lala, 80 Impression)

SEAN DUNNE (Best Doc—American Juggalo)

SHAWN CHRISTENSEN (Best Festival Film—Brink)

THE GOGGLES (Winner! Overall, Best Interactive—Welcome to Pine Point)

TOM JENKINS (Best Stop-Motion Animation—Address is Approximate)

Many of you had little or no exposure in the film scene before your current film. We want to know, Can you really launch a film career from a single online film?

JESÚS ORELLANA—When I started Rosa I had no experience in filmmaking so my whole film career started from that, in less than two years I’ve passed from making graphic-novels to Hollywood and been nominated for a Goya (Spanish Academy Awards), it’s been so crazy and fast! I’m extremely grateful for all the attention and support that Rosa is receiving.

TOM JENKINS—It’s early days at the moment as we only uploaded Address is Approximate a couple of months ago, but shortly after releasing it we were signed by William Morris Endeavour in LA—the largest talent agency in the world! We’re having a lot of meetings in LA and London, so this year could be very interesting.

EDDIE O’KEEFE—Thanks to websites like Vimeo and Short of The Week, The Ghosts did wildly better than my producers and I could have ever imagined. We knew from the beginning that our movie was better suited for an online audience as opposed to the old fashioned, stuffy festival circuit — but we didn’t expect anywhere close to the number of views we ultimately achieved. The Ghosts is essentially a really weird, twelve minute, black and white advertisement for leather jackets and so when people responded to it we were sort of taken aback. I guess it has altered my “career” in a a number of ways. The biggest of which is that I found representation from the film and that’s allowed me to continue to peruse film-making for the foreseeable future (and in a larger, more visible fashion hopefully).

THE GOGGLES—Our work was mostly in print [Adbusters], which is probably evident in the book-like nature of Welcome to Pine Point. The success of Pine Point showed us there was a void in long-form storytelling in the online world–we have made an almost wholesale shift into the creation of immersive digital experiences.

KIRBY FERGUSON—It’s been everything for me. It’s allowed me to become a self-employed filmmaker, to travel around the world, and to meet countless wonderful people. It’s changed my life utterly.

Some of you were already fairly well-known and “successful” in your fields. What did your film mean for you?

DAVID OREILLY—People maybe don’t know, but I had been making short films for a long time before [The External World] came out—and when it finally did and reached a certain point I decided to quit that world entirely. I basically shifted gears into what will hopefully lead to bigger challenges. Oh, and I moved to the US+A!

JORDAN VOGT-ROBERTS—Successful Alcoholics opened up a lot of doors for me.  TJ and I made it right after we moved from Chicago to LA and we wanted to demonstrate that web content had the potential to greater invest people in themes, characters and story.  So much web content at the time was 2 minute sketches that were all about the jokes and we wanted to try something new. What I definitely can attribute to this short was the experience of traveling around at film festivals, meeting other great filmmakers and growing from those experiences.  I think that’s a long winded way of saying that Successful Alcoholics was definitely a tipping point for me.

SHAWN CHRISTENSEN—In essence, it has encouraged me to lean towards directing and to take control of my work.  I think I will probably look back at Brink as a turning point in my career in film.

JULIA POTT—To me, every film I make is a way of exploring a subject matter i’m obsessed with and developing my storytelling skills—so I think that learning process has the biggest impact on my career because I come away from each film having learnt something, even if it’s something very small… like how to animate a sandwich.

PENNY LANE—I wouldn’t have guessed that The Voyagers, which was made in such a personal way and was addressed specifically at one person, would have gained such a large audience, and especially not in the vastly impersonal space of the internet.  This is surprising and wonderful, but I can’t say exactly how it will change my career just yet.  It makes me happy that Vimeo can be such a wonderful place for short film lovers to connect and discover films, since there are so few venues for short films in the world.

SEAN DUNNE—I’ll tell you what, I’m a fucking hero in the Juggalo world. Those clowns love me. For the most part people seem entertained by the film and that’s what matters to me. Makes me keep wanting to make them.

What’s your interaction with your online fans like?

JULIA POTT—It is interesting to hear feedback about Howard. Some women get in touch with me and tell me it was exactly their story and they’re so glad other people feel like they’re in that position. Some men get in touch and say that the lady in the film is immature and needs to get her act together and learn to compromise or she’ll never settle down.

There are a number of legitimate new genres and formats for storytellers today than there were just a year ago—branded films, interactive films, fashion films, etc.

How is a branded film different from a commercial?

QIAO LI—Well [branded film] is definitely more subversive in so far as you’re appealing to a different range of emotions and desires in your audience. Or at least you’re trying to engage your audience with a slightly different tool set and create that desire in a different way. What interests me in branded films is the relative freedom to explore a theme or a character a little deeper than you can with a 30 or 60 second spot, it definitely gives me a little more space to tell my story. I’m not a very succinct storyteller… Well, this style of branded film is certainly picking up steam in China where I do most of my commercial work. The internet and the huge surge of online participation that China has seen recently has made these videos incredibly popular since they allow you to have a direct connection with your audience.

Are interactive films here to stay?

THE GOGGLES—We absolutely think [interactive film] is a direction that more storytellers will go. Once they realize they don’t have to play the technology game, and that their storytelling skills are valuable, and there is a reward to telling their stories in this way, things will improve. This is what we are telling ourselves these days, anyway.

We’ve seen technology accelerate over the last year and affect the filmmaking process from the way films are made to the way they’re distributed and seen by millions.

How are new technologies changing filmmaking today and what does it mean for filmmakers out there?

TOM JENKINS—I think the major thing is the ever increasing democratisation of home grown animation, I mean anyone with a basic DSLR camera and good concept & idea can create something now—which is what I did. So long as the idea’s sound and good, that’s 90% of the hard work done!

MATTHIAS HOEGG—The evolution of digital animation technology over the past decade has definitely been very empowering for film-makers who want to produce short films off their own back. The time you invest is now the main limiting factor rather than the cost of production kit. This puts students—who can dedicate all their time to non-commercial work—in a better position than animation professionals wanting to explore new avenues in their short films with the limited funding that’s available. Perhaps this is also reflected in the fact that all three nominees for the short animation BAFTAs were fellow graduates last year.

PENNY LANE—Every day, it seems that there are more archival riches to be found on the internet and remixed into all sorts of things.  I love this.  I hardly ever shoot anything.  I feel like there are so many images already, too many to ever fully explore and enjoy, and I love scavenging for them.  I think this affects all genres of film but especially art films, zero-budget documentary films, personal films, essay films, remix films…

QIAO LI—In China the content is still heavily focused on using alternative lifestyle or an edgy character to sell your product and for me that’s getting a little tired. I’m really into the concept of crowd-sourcing at the moment so it’d be interesting to see if something like that could work with big brand clients.

Each of you show a mastery of craft such that the technology or techniques you use take a back seat to story, mood, and character. How do you maintain that human touch in an increasingly technology-driven world?

DAVID OREILLY—Ideas haven’t perceptibly gone anywhere in the last year, there’s few genuine risk takers. The shift towards everything becoming digital is happening more. Year-by-year theres so few projects that aren’t run through and manipulated by computer.

THE GOGGLES—It seems that more and more, animation is focusing on interesting stories. There’s also a nice move to simpler, more human expressions of aesthetic—rough edges and object oriented stuff—a refreshing shift away from the hyper-computer generated material that dominated for such a long (and depressing) time.

JULIA POTT—Stop motion seems like a medium that will never go out of style as there is just no way of mimicking that charm in 3D. I feel the same way about pencil animation, but I think the move over to flash and after effects has some people compromising the charm for efficiency, which I suppose sometimes is fair enough because it is a very intensive, foolish process… I recently met someone who said they loved the mistakes of hand drawn animation, and didn’t use flash because they weren’t clever enough to think up ‘fake’ mistakes on their own. I feel the same way. There is a certain charm in the smudge of pencil, or the quality of the paper coming through, that perhaps other people watching don’t notice, but it’s satisfying to the creator.

Are online films different from festival films?

EDDIE O’KEEFE—I think the online community for filmmakers is incredible. The tools at one’s disposal today are insane. There is no reason why anyone who wants to make a movie, can’t do so. The networks of blogs, websites and hosting services is so vast it can be a little crazy to navigate sometimes. But it’s also helped nurture a different kind of short film. Shorts that I see blow-up on the Internet are very different than the ones I see do well at festivals. And a lot of movies that would otherwise go ignored—movies with strong music and design elements, like The Ghosts—are celebrated and promoted within the idiosyncratic tumblrization of the web. The Ghosts got into like three film festivals, but it was viewed thousands and thousands of times online because with the Internet you can seek your audience out yourself. You’re in control, not a festival programmer. And over the last year I’ve seen this method of “distribution” be embraced more and more by filmmakers.

JORDAN VOGT-ROBERTS—There’s content on youtube getting millions upon millions of views that I think is pretty subpar.  I think a lot of people in the entertainment business see high view counts and think that a talking orange is the future but those are probably the same executives that are greenlighting movies that pander for an audience.  The next few years on the web will be fascinating.  It’s our inevitable future but it’s also still the wild west.  There’s so much to still figure out. I think that’s exciting.

How has technology changed the distribution side of filmmaking?

KIRBY FERGUSON—For crowdfunding, Louis CK proved that selling directly to your fans can work at a scale beyond what many people thought possible. It was exciting to see that someone could sell those numbers without having a media corporation as an intermediary. I thought that was a real triumph. KickStarter also went mainstream (for the young-ish demographic at least) and produced some real success stories.

SHAWN CHRISTENSEN—As far as screening the film online for a film festival, the filmmaker has to weigh their options. For example, with Brink, once we agreed to allow Tribeca to showcase it online, we knew our festival run was over. Most of the larger festivals will not show your film if it has been publicly viewed online. Damon and I felt, that with the Tribeca name behind it, and with the amount of exposure we would get from it, it was worth it.

What advice would you give to the upcoming generation of filmmakers?

JORDAN VOGT-ROBERTS—I think the web has really changed things and will continue to change things.  Most of the stuff that gets attention outside of film festivals are short & comedic or effects based but the web is so fragmented that it’s possible for just about anything to find an audience. With technology like the 5D it’s easy for just about anything to look great and to have seemingly high production value behind it. What I hope this ultimately means is that the playing field has been equalized and that great content and storytelling will rise to the top.  Everyone has the tools to make something look great and now I feel like there’s a call to arms where it’s on us as filmmakers to generate content that truly invests people.

SEAN DUNNE—Well, it seems that anyone with a DSLR, some ethereal music and an eccentric neighbor is making a documentary. Access to cheap equipment is great but it’s also what is causing the market to be flooded with godawful bullshit “films” right now. But I think the best eventually will rise to the top and they’ll be a new generation of filmmakers who are doing something different and not just falling in line. I hate to sound negative but things seem a little stagnant right now. I think you’ll see that changing in the next few years, I have hope.

THE GOGGLES—Storytellers must understand that technology is not content. It can enhance, magnify or even diminish the message depending on how it’s used. The best thing about the internet is seemingly that it can deliver every media that came before it with some authority—sound, motion, photo, video, writing. But then it adds a few more layers: interactivity, digital doodads, etc.—temptations you must resist! Insist on story.

What’s next for each of you?

JESÚS ORELLANA—Right now I’m writing the script for the live-action feature version of Rosa that I’ll direct for Fox. Of course I’m extremely excited about the whole project! [@JesusOrellana_]

MATTHIAS HOEGG—Over the past year, I’ve been dividing my time between designing and directing Animations for pre-school kids with Beakus and freelancing around London with different creative agencies. Over 4 months in the summer I’ve also directed a section of “A Liar’s Autobiography” an animated feature about the life of Monty Python’s Graham Chapman with Beakus, which is due to be released sometime this autumn. [matthiashoegg.co.uk]

JULIA POTT—I moved to New York in October and so i’m mainly just spending my time researching the best brand of root beer and where to get a good bagel. In between that I have just signed as a director to the New York based produced company Hornet Inc where i’m currently making a Valentine’s Day Viral for MTV’s Liquid Television. There’s a lot of little jobs in the pipeline but  I am eager for a stretch of free time so I can develop a new short/series idea—right now my brain is spiraling around the idea of a gorey rom com. [@juliapott]

TOM JENKINS—We’re having a lot of meetings in LA and London so this year could be very interesting—specifically we’re looking to produce our feature project, a grounded sci-fi with a major twist, and all I can really say at the moment is that it’s very different from Address Is Approximate! [Facebook Page]

JORDAN VOGT-ROBERTS—I just shot 4 tampon commercials that I hope will be the funniest tampon commercials in existence… which is a pretty weird sentence in itself. Comedy Central bought a show from me and my friend Thomas Middleditch based on some shorts we made, so we’re writing that right now. A different show I directed looks like it’s getting a full season order, but we’re still dealing with all the legal nonsense on that so I can’t really get into it. The feature i’m doing this summer is definitely the most exciting thing though. In between all of that I have a bunch of small little shorts I want to make. [@VogtRoberts]

SEAN DUNNE—I’m actually writing this from Oceana, West Virginia where I am scouting for my next doc. I’m not going to give away what it’s about, but if you look up Oceana you could probably make a pretty good guess at what I’ll be shooting here. [Facebook]

PENNY LANE—I hope to make another personal short soon (I have one in mind), but am deep in production on three feature-length documentaries at the moment, all of which have to do with mining the archives and rediscovering lost histories. The first, in post-production, is called Our Nixon and is made up of the Super 8 home movies of some of Richard Nixon’s closest staff (and fellow conspirators). The second, in production, is called Nuts—the true tale of an eccentric genius doctor who builds an empire using goat testicles and a million watt radio station.  The third, in development, is called The Rules of Evidence and is a longer essay film about the use of motion pictures as courtroom evidence. [@lennypane]

EDDIE O’KEEFE—Right now my focus is on the rewriting process for a screenplay I co-wrote called When The Street Lights Go On. It was optioned by Imagine Entertainment this fall. It’s a 1980′s coming-of-age murder mystery which takes place in a kind of subverted-Norman Rockwell suburb like The Ghosts. I always pitch it as American Graffiti meets Zodiac. And so right now my writhing partner and I are working with the director (Drew Barrymore) and Imagine on completing a new draft. On top of that, my goal in the next few years is to direct my first feature. My writing partner and I have written a script which I feel is—kind of like the best thing I’ll ever write—so I’m hoping to get things moving on that as well. Who knows. I could also wind up opening a sausage and Italian beef shack back home in Chicago. Which is another dream of mine. [@theteenagehead]

THE GOGGLES—We are working on another digital documentary project, this one on the death of print, and what it means to us when all culture moves behind glass. [@thegogglesmedia]

QIAO LI—I’ve just finished a punk rock documentary called No Anaesthetic which will be out soon and I’m working on a feature science-fiction script which I’m very excited about. We are currently preparing a short film as a teaser for the sci-fi film that we plan to shoot in China in May. [Tumblr]

KIRBY FURGESON—Up next is a political series that will be distributed in a fashion similar to Everything is a Remix. I’ll be using history, science, psychology and economics to create an accessible, entertaining and hopefully edifying narrative about politics in the 21st century. [@remixeverything]

SHAWN CHRISTENSEN—Our next short film is called Curfew, and it is just beginning its festival run, starting with the Clermont-Ferrand Film Festival. This film is another step for me, because I’m acting in it, as well as directing, which will make my festival screening experience about ten times more nerve-wracking. I also found a gem of an actress in co-star Fatima Ptacek, who plays my ten-year old niece. We are almost finished with a feature-length screenplay version of the film, which we will begin sending out to independent financiers next month. [@dreamsick]

DAVID OREILLY—Heading to buy a chicken sandwich. [@davidoreilly]

Thanks for joining us!

~

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Weekend: Your guide to entertainment in Northeast Pennsylvania

Posted by on February 20, 2012 No comments

1329759128 71 Weekend: Your guide to entertainment in Northeast Pennsylvania

AMICI, 1300 Morgan Highway, Clarks Summit: Saturdays, Chris Gratz; Wednesdays, Marko Marcinko Jazz Group.

BLU WASABI, Route 6, Dickson City: Monday, Nowhere Slow; Tuesday, Solo-Tu.

BOMBAY CAFE, 80 S. Main St., Archbald: Tuesday, Fat Tuesday with Ron Pasco.

CLAM DIGGERS, Days Inn, Route 6, Dickson City: today, karaoke, Rock Out Leukemia for Micky benefit.

FORMOSA RESTAURANT, 727 S. State St., Clarks Summit: Thursdays, jazz music with Kenny McGraw and Ron Leas.

HONEYCHILDS’, 109 E. Drinker St., Dunmore: Wednesday, Jackson Vee.

HUB LOUNGE, Clarion Hotel: Wednesdays, Open Mic Night; Fridays and Saturdays, Wise Crackers Comedy Show.

THE KEYS BEER & SPIRITS, 244 Penn Ave.: Tuesday, Mardi Gras; Wednesday, DJ Ben.

MANHATTAN DRIVE/BEST WESTERN PLUS, Dunmore: Saturdays, The Girlz.

POOR RICHARDS PUB, 125 Beech St.: Saturdays, DJ Honey Do.

RUTH’S CHRIS STEAK HOUSE, Mohegan Sun Casino, Wilkes-Barre: Fridays and Saturdays, Jim Waltich Jazz Trio.

SAMBUCA GRILL, 234 Penn Ave.: Wednesdays, Fridays and Saturdays, Paul Ardito.

SKYTOP LODGE, Skytop: Saturdays, Doug Smith Orchestra.

SNÖ MOUNTAIN, Moosic: today, Fuzzy Park.

STATIC NIGHT CLUB, I-81, Scott Exit 199: Fridays and Saturdays, DJ Latin Night Club.

GAS DRILLING AWARENESS COALITION CONCERT FUNDRAISER: with Mike Miz, ASIZ and Mother Nature’s Sons, today, 5 to 9 p.m., River Street Jazz Cafe, 667 N. River St., Plains, $10, benefits GDAC. 266-5116.

DOUG SMITH’S DIXIELAND ALL-STARS: Tuesday, 8 p.m. to midnight, Poor Richard’s Pub, South Side Bowling Lanes, 125 Beech St.

WINTER WEDNESDAYS MUSIC SERIES: blues pianist and vocalist Ronny Whyte, Wednesday; blues vocalist Martha Lorin, Feb. 29; vocalist Terri Dixon, March 7; vocalist Celeste Aldridge, March 14; 7 p.m., Foundation Room, Pike County Historical Society and Museum, Milford, $30 each/ $100 season pass. 296-8126.

CHAMBER MUSIC SOCIETY OF LINCOLN CENTER: Thursday, 7 p.m., Mellow Theater, Lackawanna College, 501 Vine St., $25/$30. 955-1455.

SOUND FOR SCOLIOSIS ROCK THE LUMBAR ALL TRIBUTE BAND CONCERT: Saturday, 8:30 p.m., Stone Elephant, Olyphant, $9 advance/$12 at door. 558-9247.

FOLK MUSIC EXTRAVAGANZA: with Lorne Clarke and Friends, Feb. 26, 3 p.m., Dietrich Theater, 60 E. Tioga St., Tunkhannock, donations accepted for theater reconstruction. 996-1500.

GAELIC STORM AND ENTER THE HAGGIS: March 1, 7:30 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre.

ORGANIST TIM BRUMFIELD: March 2, 7:30 p.m., Houlihan-McLean Center, University of Scranton, free. 941-7624.

CATHOLIC CHORAL SOCIETY LENTEN CONCERTS: March 4, 3 p.m., St. Andrew Parish, 316 Parish St., Wilkes-Barre; and March 11, 2:30 p.m., St. John the Evangelist Parish, 35 William St., Pittston; both free. 587-2753.

SIMPLY GRAND CONCERT: with cellist Alberto Parrini and pianist Fabio Parrini, March 4, 3 p.m., Sordoni High Definition Theater, WVIA Public Media Studios, Pittston, free, seating limited. 655-2808.

NORTHEASTERN PENNSYLVANIA PHILHARMONIC CHAMBER MUSIC SERIES: Beethoven Festival, March 8, 6:30 p.m., Mellow Theater, Lackawanna College. 341-1568.

NORTHEASTERN PENNSYLVANIA PHILHARMONIC: A Beethoven Festival, March 10, 8 p.m., F.M. Kirby Center; Here to Stay: The Music of Gershwin, April 13, 8 p.m., Scranton Cultural Center, and April 14, 8 p.m., F.M. Kirby Center; Brahms, A German Requiem, April 27, 8 p.m., Scranton Cultural Center; Tribute to Benny Goodman, June 9, 8 p.m., F.M. Kirby Center. 341-1568.

COVENANT PUBLIC CONCERTS: Timothy Smith organ recital, March 11, 3 p.m.; classical guitarist Jay Steveskey, May 20, 3 p.m.; Simple Gifts, international folk music, Oct. 7, 3 p.m.; Covenant Presbyterian Church, 550 Madison Ave.

AN EVENING AT THE OPERA AND MORE: Bratislava State Conservatory of Music members, March 15, 7 p.m., Wyoming Seminary Great Hall, 228 Wyoming Ave., Kingston, free. 270-2192.

THE ARTS AT FIRST PRESBYTERIAN CHURCH: cellist Elise Henkelman and pianist Ron Stabinsky, March 16, 8 p.m.; An Afternoon with Bill Carter and The Presbybop Quartet, April 22, 4 p.m.; 300 School St., Clarks Summit. 586-6306.

ROBERT DALE CHORALE: 27th Annual NEPA Bach Festival: organ concert, March 17, 4 p.m., Elm Park United Methodist Church, 712 Linden St.; Chamber Music Concert, March 17, 8 p.m., St. Luke’s Episcopal Church; and Choral Concert, March 18, 3 p.m., St. Luke’s Episcopal Church; Pops Concert: The Great American Songbook, with the Doug Smith Jazz Trio, April 20, 8 p.m., Shopland Hall, Scranton Cultural Center at The Masonic Temple. 586-9321.

UNFORGETTABLE FIRE: U2 tribute band, March 17, doors open 7 p.m., show 8 p.m., Mount Airy Casino Resort, Mount Pocono, $10.

THE FRESH BEAT BAND: March 21, 3 and 6 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $25/$35. 826-1100.

IN RECITAL: University of Scranton Performance Music Students, March 21, 7:30 p.m., Houlihan-McLean Center, free. 941-7624.

YESTERDAY & TODAY: March 23, 8 p.m., Mellow Theater, Lackawanna College, 501 Vine St. 955-1455.

LISTEN LOCAL SERIES: March 30 and April 6; doors open 7 p.m., show 8 p.m., Scranton Cultural Center at The Masonic Temple, 420 N. Washington Ave., $10. 344-1111 or 800-745-3000.

JOE NARDONE’S MALT SHOP MEMORIES: March 30, 7:30 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre. 826-1100.

SHOSTAKOVICH CHAMBER MUSIC FESTIVAL: March 31, 8 p.m.; April 1, 3 p.m.; Wyoming Seminary Great Hall, 228 Wyoming Ave., Kingston, free. 270-2192.

UNIVERSITY OF SCRANTON SINGERS: with Manhattan School of Music chamber ensemble, April 1, 7:30 p.m., Houlihan-McLean Center, University of Scranton, free. 941-7624.

GLORIANA: April 14, doors open 7 p.m., show 8 p.m., Mount Airy Casino Resort, Mount Pocono, $25/$40.

LOVE SONGS: A CONCERT IN MEMORY OF JOAN SYLVESTER: with University of Scranton Jazz Ensemble and Wycliffe Gordon, April 15, 7:30 p.m., Houlihan-McLean Center, University of Scranton, free. 941-7624.

THE KINGSTON TRIO: April 20, 8 p.m., Mellow Theater, Lackawanna College, 501 Vine St. 955-1455.

GOSPEL EXTRAVAGANZA: April 21, 1 p.m., Moskovitz Theater, DeNaples Center, University of Scranton, free. 941-7401.

USPB SPRING CONCERT: April 21, 8 p.m., Byron Complex, University of Scranton, 18 and older. 941-7463.

DOUG SMITH 16-PIECE BIG BAND: April 21, 28 and May 12, 8:30 to 11 p.m., Skytop Lodge, Skytop. 595-7401.

BOB WEIR – SOLO ACOUSTIC: April 27, 8 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $34.50/$39.50/$44.50/$49.50. 826-1100.

CHORAL SOCIETY OF NORTHEAST PENNSYLVANIA CONCERTS: German Requiem, with NEPA Philharmonic, April 27; with Wyoming County Chorale, May 5, Tunkhannock; Renaissance and Baroque Masterworks, May 12, St. Luke’s Episcopal Church, 232 Wyoming Ave. 343-6707.

29TH ANNUAL WORLD PREMIERE COMPOSITION SERIES CONCERT: with University of Scranton Concert Band and Concert Choir, Joseph Pilafian and Joseph Boga, April 28, 7:30 p.m., Houlihan-McLean Center, University of Scranton, free. 941-7624.

FOUR OCTAVES: a capella group spring concert, May 4, 6 p.m., Dionne Campus Green Ampitheater, University of Scranton, free. 941-5441.

SPRING FLING/BATTLE OF THE BANDS: May 5, 11 a.m., Dionne Campus Green, University of Scranton, free. 941-6233.

UNIVERSITY OF SCRANTON STRING ORCHESTRA: May 6, 3 p.m., Houlihan-McLean Center, free. 941-7624.

PRE-COMMENCEMENT CONCERT: University of Scranton Symphonic Band & Singers, May 11, 7:30 p.m., Houlihan-McLean Center, free. 941-7624.

WILLIE NELSON & FAMILY: May 11, 8 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $43/$57/$67/$80. 826-1100.

FRANKIE VALLI AND THE FOUR SEASONS: Broadway Theatre League of Northeastern Pennsylvania, May 16, Scranton Cultural Center at The Masonic Temple, 420 N. Washington Ave. 342-7784.

A WEEKEND WITH JOHN BELL: workshop, May 19, 10 a.m. to 2 p.m., First Presbyterian Church, 300 School St., Clarks Summit, $10; “Renewing Congregational Song” and leading worship music, May 20. 586-6306.

TONY BENNETT: June 2, 8 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $70/$90/$126. 826-1100.

CATHOLIC CHORAL SOCIETY OPEN AUDITIONS AND REHEARSALS: Tuesdays, 7 p.m., Marywood University IHM Center. 587-2753.

SING IN THE WELSH LANGUAGE: first and third Saturdays of the month, 2 p.m., First Congregational Church, 500 Luzerne Ave., West Pittston, free. 905-9074.

LEGALLY BLONDE – THE MUSICAL: Coughlin Players, March 1-3, 7 p.m.; March 4, 2 p.m.; Coughlin High School Auditorium, 80 N. Washington St., Wilkes-Barre. $10/$5 seniors on March 1. 406-3976.

FOOTLOOSE: Lakeland Curtain Club, March 2-3, 7 p.m.; March 4, 3 p.m.; Lakeland Junior-Senior High School auditorium, Scott Twp., $8/$5/free to children under 10.

DISNEY’S BEAUTY AND THE BEAST: Dunmore High School Crimson Company, March 22-24, 28-31, 7 p.m., auditorium, 300 W. Warren St., Dunmore, $5/$8/$10.

GREASE: March 30-31, 7:30 p.m.; April 1, 2 p.m.; West Scranton High School, $8/$5. 348-3616.

GUYS & DOLLS: Knight Players, April 27-28, 7 p.m.; April 29, 1 p.m.; Scranton High School Performing Arts Theatre, $5/$7. 348-3481.

THE 39 STEPS: Actors Circle, today, 2 p.m., Providence Playhouse, 1256 Providence Road, $12/$10/$8. 342-9707.

THE MUSICAL ADVENTURES OF FLAT STANLEY JR.: today, 2 p.m., Kiss Theatre Co., Wyoming Valley Mall, Wilkes-Barre Twp. Visit kisstheatre.org.

THE FULL MONTY: Music Box Players, today and Friday to Feb. 26, March 2-4; Fridays and Saturdays, 8 p.m.; Sundays, 3 p.m.; dinner 90 minutes before curtain; Music Box Dinner Playhouse, 196 Hughes St., Swoyersville. 283-2195 or 800-698-PLAY.

THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE: King’s Players, today, 3:30 p.m., King’s Theatre, Administration Building, King’s College, Wilkes-Barre, $10/$5. 208-5825.

JOHN PINETTE: today, 7 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $34.75, all ages. 826-1100.

LITTLE WOMEN: today and Friday to Feb. 26, Wilkes University. 800-WILKES-U, ext. 4420.

THE SENSUOUS SENATOR: Friday and Saturday, 6:30 p.m.; Feb. 26, 2:30 p.m., Corner Bistro Dinner Theater, Main Street, Carbondale, $23. 282-7499.

RAIN: A TRIBUTE TO THE BEATLES: Broadway Theatre League of Northeastern Pennsylvania, Friday, 8 p.m.; Saturday, 2 and 8 p.m.; Feb. 26, 1 and 6 p.m., Scranton Cultural Center at The Masonic Temple.

FUDDY MEERS: University of Scranton Players, Friday to Feb. 26 and March 2-4; Fridays and Saturdays, 8 p.m.; Sundays, 2 p.m.; McDade Center for Literary and Performing Arts, ticket prices vary. 941-4318.

LIFE ON MARS: After School Theatre Arts students, Saturday, 11 a.m., Dietrich Theater, 60 E. Tioga St., Tunkhannock, $5. 996-1500.

SNOW WHITE AND THE SEVEN DWARFS: Scranton Public Theatre and Old Forge High School Drama Club, Saturday, 1 p.m., high school auditorium, Old Forge, $5, tickets available day of show, benefits drama club.

JOE MATARESE AND A BENEFIT FOR BOARDING FOR BREAST CANCER: with Unshackled, Chuck Buono, Paul Spratt, Tommy Comer and Jeremy Pryal, Saturday, doors open 6:30 p.m., show 8 p.m., 20th Ward, 2028 Pittston Ave., $10 advance/$15 at door. Visit pspratt.com.

ONCE UPON A MATTRESS: Saturday, 7:30 p.m.; Feb. 26, 2 p.m.; Sette LaVerghetta Performing Arts Center, Marywood University, $12/$7. 348-6268.

NUTS: staged reading, Feb. 26, 5 p.m., Vintage Theater, 119 Penn Ave.

SESAME STREET LIVE: 1-2-3 IMAGINE! WITH ELMO & FRIENDS: March 1, 7 p.m.; March 2, 10:30 a.m. and 7 p.m.; March 3, 10:30 a.m. and 2 p.m.; March 4, 1 and 4:30 p.m.; Mohegan Sun Arena at Casey Plaza, Wilkes-Barre, $12/$13/$17/$22/$28/$55. 800-745-3000.

A SHAYNA MAIDEL: March 1-3, 7:30 p.m., Phelps Student Center, Baptist Bible College & Seminary, $10/$7/$3. 585-9000.

GILBERT GOTTFRIED: March 3, 8 p.m., Mount Airy Casino Resort, Mount Pocono, $20/$30. 866-468-7619.

COMEDY STAND-OFF: Wednesdays, March 7-28, sign up 8:30 p.m., show 9 p.m., Hub Lounge, Clarion Hotel, 300 Meadow Ave; top 12 performance, April 12. Visit facebook.com/clarionscrantonwilkesbarre.

BISTRO COMEDY NITE: March 9, appetizer buffet 7:30 p.m., show 8:30 p.m., Corner Bistro Dinner Theater, Main Street, Carbondale, $15 advance only. 282-7499.

YOU CAN’T TAKE IT WITH YOU: Abington Heights High School, March 15-16, 22-23, 7 p.m., high school auditorium, 222 Noble Road, Clarks Summit, $5/$8.

CRIMES OF THE HEART: Actors Circle, March 22-24, 30-31, 8 p.m.; March 25 and April 1, 2 p.m.; Providence Playhouse, 1256 Providence Road, $12/$10/$8, $2 discount March 22. 342-9707.

BYE BYE BIRDIE: Phoenix Kids, March 23 through April 1, Phoenix Performing Arts Centre, 409 Main St., Duryea.

RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC: Broadway Theatre League of Northeastern Pennsylvania, March 23, 8 p.m.; March 24, 2 and 8 p.m.; March 25, 1 and 6 p.m., Scranton Cultural Center at The Masonic Temple.

‘THE VIEW’ WITH A SCRANTON ATTITUDE: Let’s Hear It from Both Sides, March 30, 7 p.m.; Let’s Hear It from the Boys, May 4, 7 p.m., Scranton Cultural Center at The Masonic Temple. 344-1111 or 800-745-3000.

BIG WIGS: March 30-31, appetizer buffet 7:30 p.m., show 8:30 p.m., Corner Bistro Dinner Theater, Main Street, Carbondale, $15 advance only. 282-7499.

FAME JR.: Green Ridge Youth Theatre, March 30-31, Scranton High School.

THE CITIZENS’ VOICE CHILDREN’S SERIES: “Stuart Little,” March 31, 11 a.m., Shopland Hall, Scranton Cultural Center at The Masonic Temple.

RED GREEN’S PERSONAL WIT AND WISDOM TOUR: April 17, 7 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $47.50. 826-1100.

SPRING AWAKENING: Liva Arts Co., April 19-21, 8 p.m.; April 22, 2 p.m.; Jefferson Auditorium, Leahy Hall, University of Scranton, fees vary.

RENT: Phoenix Theatrics, April 20-May 6; Fridays and Saturdays, 8 p.m.; Sundays, 2 p.m.; Phoenix Performing Arts Centre, 409 Main St., Duryea. 991-1817.

UP AND COMING COMEDY SERIES: April 21, music and cocktails 7 p.m., show 8 p.m., Scranton Cultural Center at The Masonic Temple, Shopland Hall, $16. 344-1111.

A YEAR WITH FROG AND TOAD: University of Scranton Players, April 27-29, May 4-5; Fridays and Saturdays, 8 p.m.; Sundays, 2 p.m.; McDade Center for Literary and Performing Arts, University of Scranton, fees vary. 941-4318.

URBAN BEATS DANCE SHOW: April 28, 7 p.m., McIlhenny Ballroom, DeNaples Center, University of Scranton, free. 941-5441.

THE TIMES-TRIBUNE LUNCH BOX SERIES: “A Year with Frog & Toad,” May 1, 10 a.m. and 6 p.m., and May 2, 10 a.m., Scranton Cultural Center at The Masonic Temple.

RIVERDANCE: May 8, 7:30 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, $43/$53/$63. 826-1100.

NEW DIRECTORS WORKSHOP: May 10-12, 8 p.m., McDade Center for Literary and Performing Arts, University of Scranton, fees vary. 941-4318.

‘NIGHT MOTHER: May 10-13 and 18-20: Actors Circle, Providence Playhouse, 1256 Providence Road. 342-9707.

YOUNG FRANKENSTEIN: Broadway Theatre League of Northeastern Pennsylvania, May 18, 8 p.m.; May 19, 2 and 8 p.m.; and May 20, 1 and 6 p.m., Scranton Cultural Center at The Masonic Temple.

FRED GARBO’S INFLATABLE THEATER: May 19, 2 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre, free. 826-1100.

RWANDAN ART SHOW: works by Emmanuel Nkuranga and Ivuka Arts, on display Monday through Feb. 27, Heritage Room, Weinberg Memorial Library, University of Scranton; reception, Tuesday, 7:30 to 9 p.m.

VISITING ARTIST LECTURE SERIES: Keltie Ferris, Wednesday, 3 p.m., Media Room 160, Learning Resources Center, Marywood University, free; reception, follows lecture, Shields Center for Visual Arts, free. 348-6211, ext. 2691.

MACRO PHOTOGRAPHY BY CRYSTAL WIGHTMAN: on display through Thursday; Monday through Thursday, 9 a.m. to 4:30 p.m.; today, as arranged; Widmann Gallery, King’s College, Wilkes-Barre, free. 208-5900, ext. 5328.

COLORS OF THE SEASON: seasonal landscapes by various artists, on display through Thursday, Schulman Gallery, Luzerne County Community College. Visit luzerne.edu/schulmangallery.

PHOTOGRAPHY ON CAMPUS: on display Friday through March 18; Mondays, Thursdays and Fridays, 9 a.m. to 4 p.m.; Tuesdays and Wednesdays, 9 a.m. to 8 p.m.; Saturdays and Sundays, 1 to 4 p.m.; Mahady Gallery, Shields Center for Visual Arts, Marywood University; reception, Friday, 4:30 to 6:30 p.m.

LOST VOICES – A REMEMBRANCE, POLAND 1940-1945: photographs and photo encaustic works by Michael Mirabito, on display through March 18; Mondays, Thursdays and Fridays, 9 a.m. to 4 p.m.; Tuesdays and Wednesdays, 9 a.m. to 8 p.m.; Saturdays and Sundays, 1 to 4 p.m.; Suraci Gallery, Shields Center for Visual Arts, Marywood University; reception, Friday, 4:30 to 6:30 p.m.

THE EXAMINED LIFE: paintings by various artists, on display through Saturday, Tuesdays through Sundays, noon to 6 p.m., New Visions Studio & Gallery, 201 Vine St. 878-3970.

GLOCALIZE: GLOBALLY INSPIRED … LOCALLY MADE: on display through February, 10 a.m., Timmy’s Town Center, The Mall at Steamtown.

AMISH PRINTS OF NEPA: works by Don Fatzinger, on display through February, Windsor Art Studio, 408 Spruce St.

INSIDE FOR DETAILS: works by various artists, on display through February; Wednesdays, 6 p.m. to midnight; Thursdays through Saturdays, noon to 6 p.m.; Vintage Theater, 119 Penn Ave.

BI-POLAR LOVE SONG: 20 artists in a variety of mediums, on display through February, The Keys, 244 Penn Ave.

CARTOON-THEMED MURAL ARTWORK: by Jeff D’angelo, on display through February, Wendell & Co. Interior Design & Antiques, 222 Wyoming Ave.

PEOPLE AND PLACES: photography by Marywood University student Stephanie Kania, on display through February, Bella Faccias Personalized Chocolates & Gifts LLC, 516 Lackawanna Ave.

MIXED MEDIA, MEDITATIONS, AND MORE!: acrylic, watercolor and pastels by Kathryn Harper Foley; hand-designed doll clothing and turn-of-the-century quilts; on display through February, B’s Floral Design Inc., 131 Penn Ave.

PAPER & PRINTS: watercolor and photography by Jerry & Maggie Miller, on display through February, Fidelity Bank, 338 N. Washington Ave.

PUPPY LOVE: digital photography by Sarah Edwards, on display through February, Pierre’s Fine Clothing and Accessories, 406 Spruce St., and Chocolate Creations, Cangiano’s Italian Specialities & Realty Network Group, 400 Spruce St.

SMALL WORKS: art to benefit the American Heart Association, on display through February, Laura Craig Galleries, 207 Linden St.

FLEURESSENT POWER: THIRDproject directed by Constance Denchy featuring saran-wrap, blacklight materials and mixed-media, on display through February, Exhale Hookah Lounge & Kabob Grill, 136 Wyoming Ave.

SWEET PRINTS!: linoleum cut prints by The Big Harrumph, on display through February, Freedlove, 532 Spruce St.

A PREDILECTION FOR EPHEMERA: oil painting & mixed-media by Brie Taylor, on display through February, The Fanciful Fox, 342 Adams Ave.

ABSTRACTS AND FIGURE: paintings by Brooke Wandall, on display through February, GreenBeing, 334 Adams Ave.

WILD ABOUT MUSHROOMS: color photographs and specimens from recent mushroom forays presented by members of the Delaware Highlands Mushroom Society, on display through February, Eden – A Vegan Cafe, 344 Adams Ave. Visit dhms.weebly.com.

HAND-BUILT CLAY: NEW WORKS: works by Frank Mariano; paintings by Mike Trovato; on display through February, Marquis Art and Frame, 515 Center St.

PAUL MCCRONE: RETROSPECTIVE: paintings, on display through February, AFA Gallery, 514 Lackawanna Ave.

ARTISTIC VISIONS OF A FUTURE SOUTH SIDE: young winners of a design contest, on display through February, Star Gallery, Mall at Steamtown.

HAND-MADE JEWELRY BY PATRICIA LOCKE: on display through February, The Crazy Pineapple, 317 Linden St.

EXCAVATION: photography by Gary Caewood, on display through February, Camerawork Gallery, 515 Center St.

PIECES OF SCRANTON: mixed-media collage by Annmarie Ciccarelli, on display through February, Scranton Cultural Center at the Masonic Temple, 420 N. Washington Ave.

PROUD AS A PEACOCK: marker and gouache designs by Lisa Temples-Maopolski, on display through February, POSH at Scranton Club, 404 N. Washington Ave.

COMPARTMENTALIZED: mixed-media by Alicia Pica and Maura Calderone, on display through February, The Bog, 341 Adams Ave.

WINTER LIGHT: photography by Joe Longo, on display through February, Mission Yoga, 544 Spruce St.

FRESH VISIONS: photography by Tom Gavern, on display through February, grand lobby, Radisson Lackawanna Station hotel, 700 Lackawanna Ave.

PHOTOGRAPHY: on display through February, Alley Cafe, 515 Center St.

PICTURE SCRANTON: photography by Timmy Walsh, on display through February, Duffy Accessories, 218 Linden St.

CAPTURED: photography by Mary Beth Roberts, on display through February, Northern Light Espresso Bar, 536 Spruce St.

ANNMARIE CICCARELLI AND HEATHER MARTYAK: on display March 1-30, Afa Gallery, 514 Lackawanna Ave.; opening reception, March 2, 6 to 9 p.m.

ALPHABETS FROM THE ZANER-BLOSER COLLECTION: on display March 1-April 5, Heritage Room, Weinberg Memorial Library, University of Scranton, free. 941-6341.

SACRED BIRCH: paintings by Koval Grippo, on display through March 2, Hope Horn Gallery, Hyland Hall, University of Scranton, free. 941-4214.

FACTORIUM: photographs by Rebecca A. Battle, on display March 2-April 2; Mondays through Fridays, 10 a.m. to 6 p.m.; Saturdays, 10 a.m. to 5 p.m.; Camerawork Gallery, 515 Center St.; opening reception, March 2, 6 to 8:15 p.m. 344-3313.

NATURE’S FINEST ART: works by Dana Gabel, Mark Charles Rooney, Amy Lynn Wyman and Bethel Wyman, on display March 2-30, Tuesdays to Sundays, noon to 6 p.m., New Visions Studio & Gallery, 201 Vine St.; opening reception, with music by Jeremiah Dowling, March 2, 5 to 10 p.m., free. 878-3970.

EDWARD HOPPER: EARLY IMPRESSIONS: on display through March 4; Tuesdays through Thursdays, 10 a.m. to 5 p.m.; Fridays through Sundays, 1 to 5 p.m.; Pauly Friedman Art Gallery, Misericordia University. 674-6250.

WINSLOW HOMER: WOODCUT PRINTS/PAINTINGS BY MICHAEL MOLNAR: on display through March 4; Tuesdays through Thursdays, 10 a.m. to 5 p.m.; Fridays through Sundays, 1 to 5 p.m.; MacDonald Art Gallery, Sandy and Marlene Insalaco Hall, Misericordia University. 674-6250.

AROUND THE VALLEY IN HDR: works by Robert Broghamer, on display March 5-29, Widmann Gallery, Sheehy-Farmer Campus Center, King’s College, Wilkes-Barre; meet the artist reception, March 16, 6 to 8 p.m., free.

LET CHILDREN BE CHILDREN: LEWIS WICKES HINE’S CRUSADE AGAINST CHILD LABOR: on display through March 11, daily, noon to 4:30 p.m., Sordoni Art Gallery, Stark Learning Center, Wilkes University, 150 S. River St., Wilkes-Barre, free.

POSING BEAUTY IN AFRICAN-AMERICAN CULTURE: on display through April 1, Everhart Museum; An Exhibit Conversation, March 22, 6 to 8 p.m., $10 members/$15 nonmembers. 346-7186.

MAN ON EARTH: works by Earl Lehman, on display March 23-April 20, Lackawanna College Environmental Institute, 10 Moffat Drive, Covington Twp., free; opening, March 23, 5 to 7 p.m., free. 842-1506.

ART AUCTION: March 23, preview 6:30 p.m., auction 7:30 p.m., Glen Oak Country Club, Clarks Summit, $10, benefits Rotary Club of the Abingtons. 586-1317 or 335-2467.

THE VISITING NURSE ASSOCIATION OF SCRANTON: ONE HUNDRED YEARS: on display March 26-30, April 16 through May 4, Hope Horn Gallery, Hyland Hall, University of Scranton, free; gallery lecture, March 30, 5 p.m., Pearn Audotirum, Brennan Hall; public reception, March 30, follows lecture, Hope Horn Gallery. 941-4214.

DAVID BENDER: sculptures and drawings, on display through March 29, ArtWorks Gallery & Studio, 503 Lackawanna Ave.; Tuesdays to Fridays, 11 a.m. to 5 p.m.; Saturdays, 11 a.m. to 3 p.m.; free. 207-1815.

STUDENT ART AT THE EVERHART – BEAUTY IS IN THE EYE OF THE BEHOLDER: on display through April 1, Everhart Museum.

ENVIRONMENTAL ART SHOW: on display April 16-25, Heritage Room, Weinberg Memorial Library, University of Scranton, free. 941-7520.

HOWARD D. BECKER: on display April 21-Dec. 31, Wayne County Historical Society, 810 Main St., Honesdale.

ANCIENT ROME AND ANDY WARHOL: photography by Fran Douaihy, on display through April, City Cafe, 116 N. Washington Ave. 343-3550.

ART WALKS: second Friday of the month, 5 to 8 p.m., downtown Clarks Summit venues.

WATERCOLORS: by Jeff Lewis, permanent display, Linda Kays Restaurant, Sanderson Avenue.

SELECTIONS FROM THE MASLOW COLLECTION: ongoing exhibit; Mondays, Thursdays and Fridays, 9 a.m. to 4 p.m.; Tuesdays and Wednesdays, 9 a.m. to 8 p.m.; Saturdays and Sundays, 1 to 4 p.m.; Maslow Study Gallery for Contemporary Art, Shields Center for Visual Art, Marywood University.

WATERCOLOR AND MIXED MEDIA: by Bill Woelkers, ongoing exhibit, First Liberty Bank & Trust, 108 N. Washington Ave.

CRYSTAL CABIN FEVER: daily through Feb. 26; Mondays through Saturdays, 11 a.m. to 6 p.m.; Sundays, 11 a.m. to 4 p.m.; Sculpted Ice Works, Route 590, Lakeville, $10/$6/free to children under 3. 226-6246. Visit crystalcabinfever.com.

PINK ELEGANCE ON PARADE: fashion show, today, 1 p.m., Radisson at Lackawanna Station hotel, $40/$15, benefits Susan G. Komen for the Cure Northeastern Pennsylvania, reservations required. 947-5852.

WAYNE COUNTY ARTS ALLIANCE SUNDAY NIGHT CINEMA: Cinema 6, Route 6 Mall, Honesdale; “Don’t Look Now: We’re Being Shot At,” today; “The Burmese Harp,” Feb. 26; “Heaven and Earth,” March 4; all 8:15 p.m., $5.

THE ARTS AT FIRST PRESBYTERIAN CHURCH: art show, today and Monday, 300 School St., Clarks Summit. 586-6306.

LACKAWANNA COUNTY CHILDREN’S LIBRARY: 520 Vine St.; Black Lagoon Reading Hour, Tuesday, 6 p.m., ages 5 to 8; Toddlers on the Move, Wednesday, 10:30 a.m. or 6 p.m., ages 1 to 2; Microsoft Photo Story Tutorial, Wednesday, 2 p.m. 348-3000, ext. 3015.

ABINGTON COMMUNITY LIBRARY ACTIVITIES: 1200 W. Grove St., Clarks Summit; Enjoy Learning Latin While Reading Latin, Thursday, 4 to 5 p.m., grades seven to 12; Anime/Manga Club – Nani, Friday, 4 to 6 p.m., grades seven to 12; Fourth Fridays Acoustic Music, Friday, 6:30 to 8:30 p.m.; Slot Car Race to Success: Math, Science, Engineering, Saturday, 1 to 4 p.m.; Second Saturdays Art Exhibit, on display through March; knitting group, second and fourth Mondays of the month, 6:30 to 7:30 p.m., adults; Families Helping Families, Wednesdays, 6:30 to 8 p.m., adults; Scrabble, Thursdays, 1 p.m., adults.

PARTY WITH THE PROS: featuring New York Yankees legends, Thursday, VIP cocktail hour 5 p.m., event 6 to 9 p.m., Electric City Trolley Museum, 300 Cliff St., $50 general/$125 VIP, benefits Boys and Girls Clubs of NEPA. 342-8709, ext. 110.

SIGNINGS & SIGHTINGS: with Alex McCord of “The Real Housewives of New York City,” Friday, 8 p.m., Mohegan Sun at Pocono Downs. 888-946-4672.

FIFTH ANNUAL SKI FOR THE CURE BREAST CANCER AWARENESS DAY: Saturday, 8 a.m., Jack Frost Big Boulder, 1 Jack Frost Mountain Road, Blakeslee, benefits Susan G. Komen for the Cure Northeastern Pennsylvania. Visit jfbb.com.

CAMP KESTREL HABITAT WORKSHOP: for children, Saturday, 9:30 a.m., snow date March 3, Alliance Community Center, 360 S. Keyser Ave., Taylor. Visit wildlifehc.org. 562-1600, ext. 244.

ON TRACK FOR LITERACY: third annual eXtreme Spelling Bee fundraiser, Saturday, 11 a.m., snow date March 3, Western Wayne Middle School, free, benefits First Book Wayne/Pike Chapter and Wayne Pike Adult Literacy Program.

ZUMBATHON FUNDRAISER: Saturday, 1 to 3 p.m., Latour Room, Marywood University, $5, benefits Autism Speaks.

SNOWBALL: Saturday, 5 to 7 p.m., St. Mary’s Center, 320 Mifflin Ave., $25/$20 museum family members/free to kids 2 and younger, benefits Timmy’s Town Center.

HARLEM WIZARDS: Feb. 27, 6:30 p.m., Lakeland high school gym. Visit harlemwizards.com.

CANASTA CARD PARTY: Feb. 27, 6:30 p.m., Foundation Room, Columns Museum, 608 Broad St., Milford, $5. 296-8126 or 296-2661.

LUZERNE COUNTY HISTORICAL SOCIETY STARS OF THE VALLEY: “Life and Work of Ham Fisher,” Feb. 29, 6 p.m., Westmoreland Club, Wilkes-Barre, $50/$65/$75/$100/$250/$500 by Friday. 823-6244, ext. 3.

ANNUAL PRE-ST. PATRICK’S DAY COCKTAIL PARTY: March 2, 5:30 to 8 p.m., The Inn at Nichols Village, poolside, 1101 Northern Blvd., Clarks Summit, $35, benefits Serving Seniors Inc. 344-3931.

SECOND DINNER BY DESIGN FUNDRAISER: preview party, March 2, 7 to 10 p.m., $60/$70 combination with preview party; public show, March 3, 10 a.m. to 5 p.m., and March 4, noon to 5 p.m., $15 advance/$20 at door/$70 combination; Scranton Cultural Center at The Masonic Temple, 420 N. Washington Ave., benefits cultural center and Lackawanna Historical Society. 800-745-3000.

POCONO ENVIRONMENTAL EDUCATION CENTER ACTIVITIES: Brisco Mountain Road, Dingmans Ferry; Introduction to Orienteering, March 3, 10 a.m. to noon, $5; fossil trail hike, March 3, 1:30 to 3 p.m., $5 nonmembers/free for members; Sunday for Singles hikes, March 4, 1 to 3 p.m., free; Sugar Shack Scramble, March 10, 9 a.m. to 12:30 p.m., $15/$10; Black & White Photography Tour, March 11, 9 a.m. to 3 p.m., $15; Equinox Extravaganza, March 17, 1 to 4 p.m., $5 children; amphibian search, March 18, 1 to 3 p.m., $5; Boy Scout Weekend, March 24-25, 9 a.m., $99/$40; Plan Your Garden Day, March 31, 1 to 3 p.m., $5 members/$10 nonmembers. 828-2319.

CHICORY HOUSE DANCE SERIES: Community Contra Dance, March 3, 7 p.m., Church of Christ Uniting, 776 Market St., Kingston, $9, discount for families. 333-4007.

ANNUAL ROCK-A-THON: March 4, noon to 4 p.m., Holy Family Residence auditorium, 2500 Adams Ave., register/donate by Friday, benefits Little Sisters of the Poor. 343-4065.

REGAN READS: A POETIC INTERLUDE: by poet Neil Regan, March 6, 6:30 p.m., Heritage Room, Weinberg Memorial Library, University of Scranton, free. 941-7816.

LACKAWANNA AUDUBON SOCIETY EVENTS: bird walk, March 10, 8 a.m., Lackawanna State Park, meet at boat launch parking lot, 575-5293.

ST. PATRICK’S PARADE DAY PARTY: March 10, noon, Scranton Cultural Center at The Masonic Temple.

VALLEY COMMUNITY LIBRARY ACTIVITIES: 739 River St., Peckville; preschool storytime, Mondays and Tuesdays through March 13, 11:30 a.m.; special-needs storytime, Tuesdays through March 13, 6 p.m.; infant storytime, Wednesdays through March 14, 10:30 a.m.; toddler storytime, Wednesdays through March 14, 11 a.m.; school-age program, Thursdays through March 15, 4:30 p.m. 489-1765.

HARLEM GLOBETROTTERS: March 16, 7 p.m., Mohegan Sun Arena at Casey Plaza, Wilkes-Barre, $15 and up. 800-745-3000. Visit harlemglobetrotters.com or ticketmaster.com.

12TH ANNUAL HEAT AT THE SEAT CHILI COOK-OFF: March 17, 2 p.m., County Seat Tavern, Maple Street, Montrose, benefits Endless Mountains Medical Care Foundation. 278-9996.

14TH ANNUAL SOCIETY OF IRISH WOMEN ST. PATRICK’S DAY DINNER: March 17, cocktails 5:30 p.m., dinner 7 p.m., Radisson at Lackawanna Station hotel, $70 individual/$630 table of nine/$840 table of 12 by March 1. 905-0534.

VINTAGE FASHION SHOW/WINE & CHEESE RECEPTION: March 21, 5:30 p.m., Nada & Co., 137 Wyoming Ave., $20, benefits EOTC. 348-6484.

FRENCH FILM SERIES: “Potiche,” March 21; “White Material,” March 27; all 7 p.m., Pearn Auditorium, Brennan Hall, free. 941-4163.

BREAKFAST WITH THE BUNNY: March 24, 10:30 a.m., Waverly Community House, 1115 North Abington Road, Waverly, $8. 586-8191.

FIGHT FOR AIR CLIMB: March 24, registration noon, climb 1 p.m., Mohegan Sun Arena at Casey Plaza, Wilkes-Barre, sponsored by American Lung Association. 823-2212. Visit lunginfo.org/arenaclimb.

GOURMET GALA: March 25, 5 to 8 p.m., Genetti Manor, Main Avenue, Dickson City, benefits Ronald McDonald House of Scranton. Visit thegourmetgala.com.

EDUCATION FOR JUSTICE POETRY READING: by Brian Turner, March 27, 7 p.m., Moskovitz Theater, DeNaples Center, University of Scranton, free. 941-4051.

FILM SCREENING: “No Impact Man,” March 28, 6 p.m., Lackawanna College Environmental Institute, 10 Moffat Drive, Covington Twp., free, registration required. 842-1506.

TOUR OF ASIA: KAZAKHSTAN FESTIVAL: March 28, 6 p.m., Rose Room, Brennan Hall, University of Scranton, free. 941-6312.

FREE MOVIE SCREENINGS: “The Goonies,” March 31, 2 and 6:30 p.m., F.M. Kirby Center for the Performing Arts, Wilkes-Barre. 826-1100.

REALITY TV STAR RAMONA SINGER: of “The Real Housewives of New York City,” meet-and-greet and wine tasting, March 31, 6 to 8 p.m., Mount Airy Casino Resort, Mount Pocono, $20. 866-468-7619.

83RD ANNUAL HELEN KELLER DAY FASHION SHOW/LACKAWANNA BRANCH PENNSYLVANIA ASSOCIATION FOR THE BLIND 100TH ANNIVERSARY CELEBRATION: April 1, doors open 11:30 a.m., lunch 12:15 p.m., fashion show 1:30 p.m., St. Mary’s Center, 320 Mifflin Ave., $20/$10, reservations requested. 342-7613, ext. 1.

EDUCATION FOR JUSTICE FILM SCREENINGS AND DISCUSSION: “Restrepo,” April 12; “Arranged,” May 3; both 7 p.m., Pearn Auditorium, Brennan Hall, free. 941-4051.

ELECTRIC CITY RESTAURANT WEEK: April 14-28, various Scranton venues. 296-2333. Visit electriccityrw.com.

20TH ANNUAL DO IT FOR THE KIDS: 5K Run & Kids Fun Run, April 25, RiverCommon at Millennium Circle, Market and River streets, Wilkes-Barre; Walk-A-Thon, April 28, Wyoming Valley Children’s Association, 1133 Wyoming Ave., Forty Fort; benefits WVCA. 714-1246.

20TH ANNUAL HOUSE, GARDEN AND GIFT SHOW: April 28, 10 a.m. to 5 p.m.; April 29, 11 a.m. to 4 p.m.; Waverly Community House, 1115 North Abington Road, Waverly. 586-8191.

AN EVENING OF FINE FOOD AND WINE: April 29, 5:30 p.m., Scranton Cultural Center at The Masonic Temple.

FESTIVAL OF NATIONS: May 4, 3 p.m., Dionne Campus Green, University of Scranton, free. 941-5904.

DIRTY GIRL MUD RUN: May 5, 8 a.m., Toyota Pavilion at Montage Mountain, women only, benefits National Breast Cancer Foundation. Visit godirtygirl.com.

FRANKLIN INSTITUTE SERIES: The Human Body, Life in Space Developed in Conjunction with NASA, May 7, 10 a.m.; The Human Body, May 8, 10 a.m.; and How To Build a Storm: The Weather Show, May 9, 10 a.m., Scranton Cultural Center at The Masonic Temple.

YOU LIVE HERE, YOU SHOULD KNOW THIS: local history quiz show, May 11-12, 6 to 9 p.m., Shopland Hall, Scranton Cultural Center at The Masonic Temple. 344-3841.

NORTHEASTERN PENNSYLVANIA PHILHARMONIC 40TH SEASON GALA AND VIOLIN AUCTION: May 11, POSH at the Scranton Club, 404 N. Washington Ave; violin raffle fundraiser, $10/$25. 341-1568.

RIVERFEST: June 22-24, Nesbitt Park and the River Common, Wilkes-Barre.

VINTAGE THEATER ACTIVITIES: 119 Penn Ave.; Ellen Doyle Dance Experience workout, Tuesdays, 8 to 10 p.m., free; writers critique group, Saturdays, noon to 2 p.m., free.

GREY TOWERS MANSION TOURS: daily, 11 a.m. to 4 p.m.; Grey Towers National Historic Site, 122 Old Owego Turnpike, Milford. 296-9630. Visit greytowers.org or fs.fed.us/gt.

HOUDINI MUSEUM TOUR AND MAGIC SHOW: open weekends by reservation, 1 to 4 p.m., 1433 N. Main Ave. Visit houdini.org.

PITTSTON AREA MEMORIAL LIBRARY EVENTS: 47 Broad St., Pittston; crochet club meetings, Tuesdays, 10 a.m. to noon, and Thursdays, 6 to 7:45 p.m.; ages 12 and older; registration.

HAWLEY PUBLIC LIBRARY CHILDREN’S ACTIVITIES: 103 Main Ave., Hawley; role-playing game, Tuesdays, 3:30 p.m.; Music and Movement, Wednesdays, 10:30 a.m.; Story Time, Wednesdays, 12:30 p.m.; Read with Twiggy, Thursdays, 3 to 5 p.m.; Parent/Child Workshop, Fridays, 10:30 a.m. and 12:30 p.m. 226-4620.

MUSEUM WITHOUT WALLS: activities for children, first Thursday of every month, 5:30 to 7:30 p.m., Ben-Mar Restaurant, 89 N. Main St., Carbondale, $10 per child. 282-1771 or 282-7477.

PIKE COUNTY HISTORICAL SOCIETY EVENTS: The Columns mansion tours, Fridays, 6 to 8 p.m.; museum, Wednesdays and Fridays, 6 to 8 p.m., Saturdays and Sundays, 1 to 4 p.m. Visit pikecountyhistoricalsociety.org.

HISTORIC DOWNTOWN SCRANTON GHOST WALKS: daily, 7 p.m., $20/$15 reservations required. 383-1821 or 383-9297. Visit scrantonghosttours.com.

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Ny Fashion Week: Trends in women’s use

Posted by on February 20, 2012 No comments

1329725542 62 Ny Fashion Week: Trends in womens use

With mid-priced collections as upscale-looking and lavishly thorough as people around the The big apple runways for fall, who has to fork out best dollar for manner?

A lot of the pleasure through the The big apple Style Week demonstrates that wrapped up on Thursday was regarding the so-called superior up to date category of labels that price lower than high-end designer collections without having sacrificing type. Among those generating a buzz: Rag & Bone, Tory Burch, Alexander Wang, 3.1 Phillip Lim, Helmut Lang, Theyskens Theory and even theJ. Crew Collection. (The entry price for innovative modern collections is about $295, and the most expensive pieces are around $1,000, which is closer to the entry price for high-end designer collections.)

“These are the designers with the future,” says Stephanie Solomon, vogue director of Bloomingdale’s. “When you think on the old guard, of Karl Lagerfeld, Giorgio Armani and Ralph Lauren, as substantially as I respect them, they are not spring chickens anymore. These designers are going to usurp them. And they are making clothes with beautiful quality, innovative fabrics and silhouettes. In the future, I envision an entire level of our store based on these up-and-coming, talented designers.”

These more affordable, accessible lines offer head-to-toe dressing, with accessories and outerwear. And they hit on all from the developments seen this week, including sleek, minimalist tailoring; Asian influences; black-and-white graphic schemes; and bright color-blocking. Key pieces for a fall wardrobe? A pair of statement pants in a colorful jacquard or print and with a tapered silhouette, worn over a pair of pumps (Manolo Blahnik forJ. Crewperhaps?); a shift dress or a pencil skirt that hits below the knee; and a fun swing coat or fur accessory in an eye-catching texture and hue.

We saw the return in the suit (albeit a nontraditional sort of suit), including the camel and cream color-blocked karate jacket belted over trousers at 3.1 Phillip Lim, the wrap-front blazer and black jeans at Helmut Lang, and the pink schoolboy blazer and pants atJ. Crew. In addition, sweater dresses made a comeback at Kimberly Ovitz and the Rachel Zoe Collection.

TheJ. CrewCollection, which is slightly more expensive than the basicJ. Crewofferings, is the chain store’s version of superior fashionable. And it is looking darn good.

Creative director Jenna Lyons and head woman’s designer Tom Mora have ratcheted up the sophistication level, offering more tailored looks in edgier fabrics. Nordic sweaters topped tinsel tweed, python or pleated-leather skirts, and pants in metallic jacquards or scarf-print silks were paired with the pointy-toed Manolo Blahniks. Color-blocked clutches and totes trimmed in curly lamb fur rounded out the picture.

Burch’s collection was more polished than ever, full of ladylike, embroidered tweed jackets and skirts, tulle and chiffon dresses with organza flower appliques, crinkled leather jackets and structured frame bags with plastic paillette and tortoise details.

There was a lot of eye candy ?a rows of pearls around the collar and cuffs of a cardigan jacket and matching pencil skirt with organza eyelet hem, jeweled flower buttons on a gold lam??| coat and sequins dusting a houndstooth plaid skirt.

Rag & Bone designers Marcus Wainwright and David Neville are also proving to be a formidable force over the New york fashion scene. Their fall collection was English countryside-meets-the-Raj, with layers upon layers of rich-looking pieces, including motorcycle jacket-tailcoat hybrids, jersey dhoti pants, tweed wrap skirts and coppery Lurex knit sweaters, plus all the must-have accessories (such as herringbone platform riding boots) that keep fans coming back to the brand.

Stylist-turned-designer Rachel Zoe was inspired by the London rock ‘n’ roll scene in the late 1960s, and her collection was a balance with the glam and the wearable, with all the Hollywood entrance-making maxi dresses and shaggy faux furs that fans have come to expect from Zoe, alongside flared trouser suits and velvet tuxedos, gaucho jeans and melange sweater dresses.

Zoe’s line is barely a year old, but is well on its way to being a success. Come fall, it will be in 300 stores. Another state-of-the-art contemporary star is born.

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Maria Sharapova Conference Call Transcript

Posted by on February 20, 2012 No comments

1329706327 83 Maria Sharapova Conference Call Transcript

BNP Paribas Showdown – March 5, 2012

Madison Square Garden

Maria Sharapova Conference Call – 2/17/12 @ 12 noon

Opening Remarks:  This is going to be the fifth year of the Showdown at Madison Square Garden and as I realized a couple days ago, we have never had a player in the event who was not either a Grand Slam Champion, a number 1 player or both.  It is an honor for us to have Maria join that group, and she has been both.  We really pride our self on the group of players that have been through the garden and the whole tie-in with the history of tennis at Madison Square Garden.  We think it is going to be an exciting night and I am honored to Maria joining us to play Caroline Wozniacki.  So with that Maria, I am going to turn it over to you to answer some questions.

Maria:  Hi everyone.  Thanks for joining us today.  Obviously this is a huge meet to be coming to New York and playing in Madison Square Garden not only because of its history and history of tennis in that area but because it is New York City and when you have the chance to play at the US Open every year there is really nothing like an experience at Madison Square Garden and I think for every athlete around the world, just to be in the stadium but to be performing there is really an honor and I can’t wait for that opportunity.

Q:  Have you enjoyed playing in New York throughout your career and do you enjoy the energy that the crowd brings in New York?

Maria:  Yeah absolutely.  To be honest when I was young and in juniors still and I came to New York it was very overwhelming and it was never really my favorite because I could never understand that crazy energy and then playing in a match and driving through the city with so much going on.  Every single year I have kind of really adapted to it and it is by far one of my favorite cities in the whole world and a place I love going to and playing there in Queens but the energy we will experience at Madison Square Garden is going to make quiet different than what we have ever experienced before.  That is just something that I am looking forward to.

Q:  The BNP Paribas Showdown is part of tennis night in America and we are trying to inspire more kids to play tennis.  How much do you hope that some kids might be watching at the Garden that night or watching it on TV seeing yourself and Roger, Andy and Caroline.  How much do you hope to help inspire some kids to start playing tennis?

Maria:  Oh absolutely.  I think as a professional athlete whether we are playing tennis or other sports I think one of our main goals is to encourage those kids to be active and to play sports. I think that is one of the most important things for a five, six, seven year old that is just getting to know what he likes to do and which sport he is playing and I think it is a great opportunity for a young kid is just a great way to see something live and see it in person.  Sometimes when you experience a sport on TV it doesn’t necessarily bring out that energy through the screen and the physical aspect and the emotion of how you play and the energy that you put into every stroke and the emotions are gone after points or certain situations.  I think it is a unique experience for children and also their parents to see it live and yeah I would love to see as many kids out there as possible.

Q:  Maria how do you approach an exhibition mentally as opposed to playing in the Open or a regular tournament, how does it change for you?

Maria:  It’s tough because in a way you are thinking this is not a tournament but on the other hand the reason why you are there is because people want to see your tennis and they want to see why you are on the top of one of the woman’s games.  But on another hand, it gives the chance for the fans that watched you grow up over the years to see another side and personality on the court as well. I think exhibitions are a really good combination of not just showing the skills of tennis and the way you play but athletes personalities.  Yeah, it is also a few days before a new one starts so it is a great warm up in a way.

Q:  This being an Olympic year can you give me an assessment of how often you have heard players around the tour talking about the importance of the Olympics and do you get a sense that a lot of the players, playing in that and potentially winning it at least this year might be as important as the Grand Slam?

Maria:  Oh absolutely.  I think one it is for me because you know growing up the first eight or so years of my life I grew up knowing that, I mean understanding the importance of the Olympics because the Olympics in Russia.  You know it was an honor not just to be an Olympian but obviously to have the goal of getting a medal and being part of all the athletes and representing your country and although we do on a daily basis, there is nothing like being part of the Olympics but, I know that tennis isn’t a very popular sport.  The only sports I watched was the Olympic sports in figure skating, hockey, gymnastics and those are just so popular in Russia and now you know with tennis being on the map over there and being so popular I think it is just extremely important participating there.  I think for me personally growing up in that culture and understanding the values that yeah it really is a dream come true as well.

Q:  Just one follow up on that.  How do you expect the quality of the tennis to be on both the men’s and woman’s side at the Olympic tournament?

Maria:  You also have to consider the scheduling this year.  It will also be like the schedule of the Grand Slam for us in a way.  It will probably be one of the toughest scheduling years for all of us tennis players because we got, The French Open then a couple weeks off then Wimbledon, a couple weeks off right until the Olympics and then you got the US Open right around the corner.  It is going to be very interesting and it is obviously really hard to tell and how health wise where we will be but that will be the most important part of maintaining our level, but also staying really healthy.

Q:  There is a bit of a debate raging in US tennis circle about rule changes for 10 and under tennis and you came up very young and the idea is that USTA has endorsed players with smaller court defending the ball.  I wonder if you think that, that is an impediment or an advantage for kids that are trying to learn the game?

Maria:  I think that it is an advantage from the beginning because it is much easier to have the lighter balls, and much easier to have a smaller court and I think it gives them a better sense of the game in a way.  Whereas you are coming onto the tennis courts, for the first time and since it is one-on-one sport it can be quiet over whelming.  So for a young player that is trying it out, I think it is a wonderful opportunity but then on the other hand if you do that for a very long time you also have to realize that the reality of the sport this is not how you are going to play if you are thinking about taking it to another level and thinking of progressing into a serious stage of the game.  It will also be an adjustment so it’s a very think line because you obviously want to encourage young children to start playing but you also have to understand at a certain point the balls are going to be a little bit heavier and the court is going to be much bigger.  So those fun elements that you learned in the beginning will be taken away.  It is just a matter of how will they react to that.

Q:  When you were coming up and some places in Europe that has been using that system…

Maria:  Yeah in England as well I saw a little bit of it in the tournaments in Birmingham during our tournament there was like a young junior event there and you did see the courts a little bit smaller, they made the courts a little smaller and the balls where a lighter flush.  I mean I do enjoy a good hit with those balls.  When they brought those in we hit them as hard as we can.  So that’s a warning out there.

Q:  You used the real thing growing up and obviously it has not impeded you at all.

Maria:  Yeah I don’t think we had much choice in our time.

Q: Can you talk about how you feel about your game now compared to before your surgery, and do you think you’re a better player in certain areas than you were before?

Maria: Yeah, I’ve never really been the type to compare what it is before to what it is now, it’s very different because you’re at different stages of your career and your life and it’s tough to always look back and think that whatever maybe was good or was not good will be the same today because the game has evolved, you’re a different player you’re a different person and things change. There’s a lot of life lessons and tennis lessons that you go through those years and you start off as a player and you become more experienced and you gain an understanding of what works for  you and what doesn’t so taking that into account I believe that in the last year I have taken a step further in a good direction and that has made me quite happy because for years I have felt like I wasn’t really moving forward like I wanted to be and in the last year I felt like I’ve been changing that a bit and going in a direction where I want to be getting good results and being consistent and obviously there’s getting there even further and winning the big ones this is important for me. But yeah as far as the movement and the direction where I see my game has certainly improved in the last year.

Q:   Being an Olympic year, have you had time to start thinking about the Olympics and playing in England? Would you consider playing maybe mixed doubles with anyone?

Maria:  The Olympics is extremely important and it’s something that I look forward to for a very long time, I was in Beijing 4 years ago so it’s an experience I am very looking forward to and I think all the tennis players are and it will be an extremely difficult schedule this year but for me personally I’m going to be playing two major tournaments on grass so I’m quite excited for it because I love playing at Wimbledon and I think just the fact that it will be at the Wimbledon  courts and the Wimbledon stadium and knowing that I’ve made the Olympics – this is not Wimbledon, it will be quite a strange and a different feeling but yeah it’s a very exciting year for all of us.

Q:  Mixed doubles, has that been in consideration for you in the Olympics?

Maria:  It hasn’t, I have not really discussed that yet, but I haven’t played too much doubles in my career and a lot of my focus always been on singles and that’s the most important thing so it’s tough for me to say that, I don’t think I will be participating in that.

Q:  I know you’ve been in town for a while, fashion week and what not, have you heard of “Linsanity?” if you have heard of it, what do you make of this phenomenon?

Maria:  (laughs) Yeah, I, you know, I was part of fashion week for a couple of days, and he didn’t quite make it to the fashion world yet, so I didn’t get a chance I was so busy over there with meetings and the shows, but I did see the covers of your papers a few times walking by and you guys are all on top of that, but it’s pretty incredible and I’m sure he’s enjoying all of that. To see a great athlete up and coming especially in NY and Madison Square Garden, I’m sure it’s a lot to write about.

Larry:  Maria, thank you so much for taking the time out of your day, it was a great job.

Maria: Thank you, No problem.

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